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Curtis Hendricks

DamnPhotoArtist

Photo Art* & Small Literature**
* Computer-based art that uses a photograph as a base
** Short Prose

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Tornado Plate #89

7/10/2019

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The News-Tribune reported Wednesday that 611 structures in Cole County were damaged, minor to destroyed, by the May 22 tornado, 477 within Jefferson City. The Red Cross had reported over 1,100, but many of those structures were only marginally touched – a shingle or two. The big structures – the old school and the big, historic houses; the commercial buildings – are the first to get attention. But most of the damaged structures are small, moderate homes, built for single, small families, middle to lower-middle incomes, constructed, if not cheaply, then as cheaply as possible to be affordable, thirty, forty, fifty, eighty years ago. Only a little damage to those homes represent a significantly larger portion of their value than the same damage might to a larger structure; a moderate amount of damage and the cost of repair can supersede replacement.

This work frames the corners of two homes just off Jackson Street, each likely damaged beyond recovery, their pennies dropped into the collection plate representing all they had.

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NOTE: Fifteen of these works depicting Jefferson City, Missouri’s May 22 tornado damage have been compiled into an artbook, which may be viewed and purchased at Capital Arts in Jefferson City, or purchased on this website in either 10-inch paperback or signed 12-inch hardcover.
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    Curtis Hendricks

    All my life I have had to learn to do things differently. To see the world differently.

    Art attracted me from the beginning. Almost every home in the tiny farming village where I grew up had DaVinci’s ‘Last Supper’ on the wall. I would come across modern abstract art in magazines and be absolutely fascinated by the colors and techniques.

    But there were no artists in my village. No one understood what modern art was. Or why it was. But there was an appreciation for photography.

    I began shooting with a 1960 model Agfa rangefinder fixed-lens 35mm camera and learned to use darkroom techniques to finish my work. Graduating to a single lens reflex camera I worked primarily with Kodachrome. Digital photography opened a new world. The computer became the artboard I never had; the darkroom I could never afford. I discovered there would never be a camera or a lens that could capture what I saw in my head – that, I had to learn to create on my own.

    I use the photograph the same way a painter uses a charcoal sketch – as a starting place. I squeeze out the unseen hiding between the pixels; the angels, the demons of my own imagination.

    ​Light. Color. Darkness. Perspective. Introversion. Mystery. Love.

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