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Curtis Hendricks
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Chalk Girl V2

10/4/2019

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I actually created four versions of Chalk Girl, one of which I threw out immediately, and after it was too late started thinking about it (yeah, I’ve been told never to delete anything), a version I find interesting but not nearly as good as my previous post which I think is the best of them, and this one. An artist should be able to determine which version of any series is the one they want to represent them, but artists, as we’ve established before, are nuts. I wasn’t going to post this version at all, but I keep being drawn to it. So here it is.

So you tell me? Version 1 as shown previously, or Version 2 as revealed today. Or just Nuts. Click on ‘Comments’ below and tell me.

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    Curtis Hendricks

    All my life I have had to learn to do things differently. To see the world differently.

    Art attracted me from the beginning. Almost every home in the tiny farming village where I grew up had DaVinci’s ‘Last Supper’ on the wall. I would come across modern abstract art in magazines and be absolutely fascinated by the colors and techniques.

    But there were no artists in my village. No one understood what modern art was. Or why it was. But there was an appreciation for photography.

    I began shooting with a 1960 model Agfa rangefinder fixed-lens 35mm camera and learned to use darkroom techniques to finish my work. Graduating to a single lens reflex camera I worked primarily with Kodachrome. Digital photography opened a new world. The computer became the artboard I never had; the darkroom I could never afford. I discovered there would never be a camera or a lens that could capture what I saw in my head – that, I had to learn to create on my own.

    I use the photograph the same way a painter uses a charcoal sketch – as a starting place. I squeeze out the unseen hiding between the pixels; the angels, the demons of my own imagination.

    ​Light. Color. Darkness. Perspective. Introversion. Mystery. Love.

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