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Curtis Hendricks

DamnPhotoArtist

Photo Art* & Small Literature**
* Computer-based art that uses a photograph as a base
** Short Prose

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Before Winter

2/11/2019

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Picture
I still shoot with my Dad’s circa 1960 model Agfa rangefinder 35mm camera, usually using Ilford Delta 100 black and white film. There is, of course, no automatic function with this camera, thus forcing me to measure the light and set the f-stop/shutter accordingly. Black and white, which I affectionately refer to as ‘noir’, is simply the most elemental way to see lighting. The lens has to be focused manually and its fixed focal length forces me to work within “normal” eyeshot. Shooting up a roll is a lovely trip back to Photography 101 and helps reorient me to my more complicated modern cameras.

This roll was shot under very flat, cloudy conditions that I’ve had good luck with in the past (although some say better noir is achieved with high contrast, sunny conditions). I was very happy with the results when they came back to me in prints. Not so much so once I’d transitioned them into the computer. Something looks to have gone awry in the high-resolution scans I made, or perhaps the shots just weren’t all that good in the first place. Or both. In any event, I’ve been less successful creating the art I’m used to creating. This will be the last one off of the roll, and though it’s not bad, I wouldn’t say it characterizes as my best noir.

But part of that may perhaps be that, over the past couple years, I have fewer people in my life who are aficionados of the noir style, and more enthusiasts of the ‘abstract realism’ that the bulk of my work has been described as. Ironically, my first two sales in this that I call my Exhibition Period were noirs. But nothing since. Since, noir works hardly get the time of day. Has public taste shifted or have my skills in one direction subsided while the other progressed?

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    Curtis Hendricks

    All my life I have had to learn to do things differently. To see the world differently.

    Art attracted me from the beginning. Almost every home in the tiny farming village where I grew up had DaVinci’s ‘Last Supper’ on the wall. I would come across modern abstract art in magazines and be absolutely fascinated by the colors and techniques.

    But there were no artists in my village. No one understood what modern art was. Or why it was. But there was an appreciation for photography.

    I began shooting with a 1960 model Agfa rangefinder fixed-lens 35mm camera and learned to use darkroom techniques to finish my work. Graduating to a single lens reflex camera I worked primarily with Kodachrome. Digital photography opened a new world. The computer became the artboard I never had; the darkroom I could never afford. I discovered there would never be a camera or a lens that could capture what I saw in my head – that, I had to learn to create on my own.

    I use the photograph the same way a painter uses a charcoal sketch – as a starting place. I squeeze out the unseen hiding between the pixels; the angels, the demons of my own imagination.

    ​Light. Color. Darkness. Perspective. Introversion. Mystery. Love.

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