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Curtis Hendricks

DamnPhotoArtist

Photo Art* & Small Literature**
* Computer-based art that uses a photograph as a base
** Short Prose

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A Lifetime In Context

8/19/2019

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Picture
Juxtaposition with the August 17 post on the discussion of clarity; this work goes the other way. Where that one was hyper-sharp, its subject drenched in sunlight, this one uses much softer focus plus just a hint of filtering. The leaves are clearly defined, the cracks in the bark clearly discernable, but more softly. The focal point, the leaves just above center, are outside the bright light instead of defined by it; indeed, only the spot drenched by light loses its definition, exactly the opposite of the August 17 work. This work lives in the shadows, and is defined by it.

Two photographs, shot on the same roll of black and white film, on the same day, in the same forest within a few hundred yards of each other. Minimal post processing to both. Two very different moods created. All a matter of clarity.

* * *

NOTE: This post is part of a series examining the application of digital techniques to film photography in creating photo art, done in tribute to the closing of the last regional retail photography stores.
1 Comment
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10/8/2019 04:55:43 pm

Photography is something that captures the lives of people. I am not saying the photography is the best profession in the world, but at it is to me. I mean, there is no job that I would rather do than be a photographer. Of course, it is not always high paying, but that is not why I became a photographer in the first place. I just really hope that I can survive in the world of photography, I really do.

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    Curtis Hendricks

    All my life I have had to learn to do things differently. To see the world differently.

    Art attracted me from the beginning. Almost every home in the tiny farming village where I grew up had DaVinci’s ‘Last Supper’ on the wall. I would come across modern abstract art in magazines and be absolutely fascinated by the colors and techniques.

    But there were no artists in my village. No one understood what modern art was. Or why it was. But there was an appreciation for photography.

    I began shooting with a 1960 model Agfa rangefinder fixed-lens 35mm camera and learned to use darkroom techniques to finish my work. Graduating to a single lens reflex camera I worked primarily with Kodachrome. Digital photography opened a new world. The computer became the artboard I never had; the darkroom I could never afford. I discovered there would never be a camera or a lens that could capture what I saw in my head – that, I had to learn to create on my own.

    I use the photograph the same way a painter uses a charcoal sketch – as a starting place. I squeeze out the unseen hiding between the pixels; the angels, the demons of my own imagination.

    ​Light. Color. Darkness. Perspective. Introversion. Mystery. Love.

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